Like the protagonists of their riveting new documentary, California filmmakers Katie Galloway and Kelly Duane de la Vega attended high school together. But it was years later, after striking out on their own and working in various cities and having kids, that they moved home to Berkeley and bumped into one another by chance. "We realized that we both had pursued documentary film and decided to go have a drink, and we had strong creative chemistry and decided to do a project together," Duane de la Vega says. The project was Better This World, a fast-paced, emotional film that has garnered rave reviews on the festival circuit and is scheduled to air September 6 on the PBS program POV (and will then be available on the POV website through October 6).
Better This World looks at the cases of Bradley Crowder and David McKay, a pair of fledgling activists who were seized by federal agents at the 2008 Republican National Convention in St. Paul, Minnesota, and charged with making Molotov cocktails, although they never attempted to use them. Their prosecutions hinged on cooperation from Brandon Darby—a well-known activist and cofounder of the radical collective Common Ground—who shocked his colleagues by becoming an undercover snitch for the FBI.
In telling the stories of these three primary characters, the film explores the disturbingly fuzzy line between observing an alleged terrorist plot and encouraging one. It also probes the extent to which the FBI now operates within that gray area and exposes how the system is stacked against defendants who risk trial rather than copping a plea. What ultimately makes the film so powerful is its access and the depth of its character development, which leaves even partially sympathetic viewers with a vivid feeling of: There, but for the grace of God, go I. I caught up with Galloway and Duane de la Vega on the eve of the film's theatrical debut in New York City. Check out the trailer below, then read the interview.
Better This World looks at the cases of Bradley Crowder and David McKay, a pair of fledgling activists who were seized by federal agents at the 2008 Republican National Convention in St. Paul, Minnesota, and charged with making Molotov cocktails, although they never attempted to use them. Their prosecutions hinged on cooperation from Brandon Darby—a well-known activist and cofounder of the radical collective Common Ground—who shocked his colleagues by becoming an undercover snitch for the FBI.
In telling the stories of these three primary characters, the film explores the disturbingly fuzzy line between observing an alleged terrorist plot and encouraging one. It also probes the extent to which the FBI now operates within that gray area and exposes how the system is stacked against defendants who risk trial rather than copping a plea. What ultimately makes the film so powerful is its access and the depth of its character development, which leaves even partially sympathetic viewers with a vivid feeling of: There, but for the grace of God, go I. I caught up with Galloway and Duane de la Vega on the eve of the film's theatrical debut in New York City. Check out the trailer below, then read the interview.
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Source: Mother Jones
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