Democracy Gone Astray

Democracy, being a human construct, needs to be thought of as directionality rather than an object. As such, to understand it requires not so much a description of existing structures and/or other related phenomena but a declaration of intentionality.
This blog aims at creating labeled lists of published infringements of such intentionality, of points in time where democracy strays from its intended directionality. In addition to outright infringements, this blog also collects important contemporary information and/or discussions that impact our socio-political landscape.

All the posts here were published in the electronic media – main-stream as well as fringe, and maintain links to the original texts.

[NOTE: Due to changes I haven't caught on time in the blogging software, all of the 'Original Article' links were nullified between September 11, 2012 and December 11, 2012. My apologies.]

Tuesday, September 06, 2011

"Better This World," Behind the Camera

Like the protagonists of their riveting new documentary, California filmmakers Katie Galloway and Kelly Duane de la Vega attended high school together. But it was years later, after striking out on their own and working in various cities and having kids, that they moved home to Berkeley and bumped into one another by chance. "We realized that we both had pursued documentary film and decided to go have a drink, and we had strong creative chemistry and decided to do a project together," Duane de la Vega says. The project was Better This World, a fast-paced, emotional film that has garnered rave reviews on the festival circuit and is scheduled to air September 6 on the PBS program POV (and will then be available on the POV website through October 6).

Better This World looks at the cases of Bradley Crowder and David McKay, a pair of fledgling activists who were seized by federal agents at the 2008 Republican National Convention in St. Paul, Minnesota, and charged with making Molotov cocktails, although they never attempted to use them. Their prosecutions hinged on cooperation from Brandon Darby—a well-known activist and cofounder of the radical collective Common Ground—who shocked his colleagues by becoming an undercover snitch for the FBI.

In telling the stories of these three primary characters, the film explores the disturbingly fuzzy line between observing an alleged terrorist plot and encouraging one. It also probes the extent to which the FBI now operates within that gray area and exposes how the system is stacked against defendants who risk trial rather than copping a plea. What ultimately makes the film so powerful is its access and the depth of its character development, which leaves even partially sympathetic viewers with a vivid feeling of: There, but for the grace of God, go I. I caught up with Galloway and Duane de la Vega on the eve of the film's theatrical debut in New York City. Check out the trailer below, then read the interview.

Full Article
Source: Mother Jones 

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